Family Drama

Shyamalan’s ‘Knock at the Cabin’ not worth answering

I suspect “Knock at the Cabin” (Peacock) will rank as M. Night Shyamalan’s most divisive film. Based on the novel “The Cabin at the End

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It’s freaky how great ‘Freaks and Geeks’ (1999-2000) still is

“Freaks and Geeks” (1999-2000, NBC/Fox Family) took TV from the Nineties to the Aughts as it chronicled kids moving from the Seventies to the Eighties.

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Blake’s ‘Buffy’ books continue with ‘One Girl in All the World’

With her second “Frankie the Vampire Slayer” entry, “One Girl in All the World” (January, hardcover), Kendare Blake again delivers a novel that’s partly appealing

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‘Sleeping Murder’ (1976) a relaxing throwback mystery

“Sleeping Murder” (October 1976), which Agatha Christie (1890-January 1976) wrote mid-career with the purposeful intent of having it published after her death, is like a

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‘My So-Called Life’ (1994-95) probes hearts, minds of ’90s teens

W.G. Snuffy Walden’s “My So-Called Life” (1994-95, ABC) theme song encapsulates the series, which itself encapsulates 1994-95. An ominous opening tone calls to mind dark

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The age-old ‘My So-Called Life’ debate: Jordan or Brian?

I went into my rewatch of “My So-Called Life” (1994-95) with one of the show’s most famous questions on my mind: Jordan or Brian? The

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King stirs brew of tropes, imagination in ‘Fairy Tale’ (2022)

Stephen King goes into full fantasy adventure mode for “Fairy Tale” (September, hardcover), a 599-page doorstop he wrote during the height of the pandemic, driven

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‘Dawson’s Creek’ Season 1 (1998) an all-time great teen romance

If “Dawson’s Creek” had lasted only through its first 13-episode season (1998, WB), it would be considered an all-time great one-season wonder and would be

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Westmacotts wrap with intriguing triptych ‘The Burden’ (1956)

Agatha Christie wraps up her six Mary Westmacott books – non-mysteries written under the pseudonym – with “The Burden” (1956 in the UK). It’s not

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‘A Daughter’s a Daughter’ (1952) presages ‘Gilmore Girls’ ’ generational clashes

In the fifth Mary Westmacott novel, “A Daughter’s a Daughter” (1952), Agatha Christie returns to the almost-autobiography format of “Unfinished Portrait,” my pick for the

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