Woody Allen’s “Coup de Chance” (2023), despite the marketing team trying to bill it as his 50th film, rather remarkably snuck under the radar. (Creative
Dario Argento’s giallo films are starting to become like tasty snacks three entries in – good for energy, not necessarily nutrition. After “The Bird with
After the twist ending in his directorial debut, “The Bird with the Crystal Plumage” (1970), Dario Argento’s follow-up “The Cat o’ Nine Tails” (1971) was
Thank goodness for film historians and geeks. I now enter the third phase of a journey taken by many Gen X and millennial slasher fans.
Christmas had “Black Christmas” (1974) and Halloween had “Halloween” (1978), so amid cinema’s first slasher boom it was inevitable that Valentine’s Day would get “My
“The Black Hole” (2008) should not be confused with the rather unfortunate Disney film “The Black Hole” (1979). The Disney flick featured irritating robots and
“Curse of the Stone Hand” (1965) concerns an A-frame Kentish mansion with a curse spanning two successive families of inhabitants. Yes, there is a stone
Sometimes George Miller feels like unleashing two hours of action; sometimes he feels like telling a character story (albeit still with more and better action
“Mad Max Beyond Thunderdome” (1985) presents that classic conundrum: It’s a good movie, but is it a good “Mad Max” movie? The first two entries
“Mad Max 2: The Road Warrior” (1981) does what sequels do: It repeats the original’s structure but is bigger and better. The high-speed battle between