Gérard Brach

Argento’s ‘Phantom of the Opera’ (1998) a kitschy experiment

In my Dario Argento reviews up to this point in his filmography, I’ve given at least a mild recommendation to everything except 1990’s “Black Cat”

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‘The Tenant’ (1976) the weakest, but also wildest, of Polanski’s Apartment Trilogy

“Repulsion” (1965) has aged incredibly well, a modern-seeming story of a woman’s troubled mind. “Rosemary’s Baby” (1968), though slow by today’s standards, is a classic

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‘Repulsion’ (1965) provides searing peek into a troubled autistic woman

If “Repulsion” (1965) were remade today, it couldn’t be a more searing, insightful look into one autistic woman’s experience in a neurotypical world than what

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