Coming out five years after Joss Whedon’s Big Three series (“Buffy,” “Angel” and “Firefly”) left the airwaves, “Dollhouse” Season 1 (2009, Fox) had massive shoes to fill.
This question has been creeping into the back of my mind throughout the “Buffy” franchise’s three seasons of official continuations from Dark Horse Comics, but
With Fox’s “Almost Human” and ABC’s “Marvel’s Agents of S.H.I.E.L.D.” both at about the halfway point of the season, I thought it’d be fun to pit the two most-hyped
Joss Whedon’s first four TV series are about underdogs who are victimized or marginalized by a corrupt government or system, which they heroically battle against:
Interviews with “Firefly” staffers often include the question of “What story ideas were never produced?” As such, we know they were kicking around episodes about
Like a lot of “Firefly” fans, I have mixed feelings about “Serenity,” the 2005 movie that continued the saga. It’s a solid movie by every important metric
Even in comparison to “Buffy” and “Angel” — which had already built up complex mythologies by the fall of 2002 — “Firefly” arrived as Joss Whedon’s most
For the first time in a decade, two “Buffy” series are simultaneously building toward a seasonal conclusion. Back in 2003, TV’s “Buffy” and “Angel” were in the
“Buffy the Vampire Slayer” Season 7 (2002-03, UPN) is the ultimate mixed bag from the series’ run. Although it bows out in a satisfying enough way and
Although the centerpiece arc is Willow’s drug-like magic addiction, “Buffy the Vampire Slayer” Season 6 (2001-02, UPN) is the year that mostly abandoned metaphors and went for