Stop the presses: ‘The Paper’ (1994) is a rip-roaring journalism movie
Throwback Thursday (Movie review): Though more comedic than others of its ilk, Ron Howard’s film gets the biz right.
‘RoboCop’ (2014) drops the satire for slick, familiar sci-fi
‘RoboCop’ redux (Movie review): This remake has perhaps the best cast ever assembled for a movie you’ll forget almost immediately.
‘Beetlejuice’ (1988) is a matter of taste, and it’s not mine
Throwback Thursday (Movie review): Look, the special effects and Keaton’s performance are good, but what can I say other than “Humor is subjective.”
‘Flash’ brings multiverse to DCEU with thrills, tears, cameos
Movie review: The writers of “Spider-Man: Homecoming” bring their talents to the rival company to shape the best of the first 14 DCEU films.
Jared Leto helps ‘Morbius’ fly up to mediocrity
Movie review: Great actors sometimes give this Sony Spider-verse film the gravity of a staged morality play. But mostly, CGI bat swarms rule the screen.
Spider-Verse tastily envelops ‘Spider-Man: No Way Home’
Movie review: The partnership between Sony and Marvel becomes a beautiful thing as the MCU embraces the multiverse with smarts and humor.
‘The Other Guys’ (2010) skewers action excesses
Throwback Thursday (Movie review): This Ferrell-Wahlberg team-up is tonally uneven, but it delivers its share of chuckles.
‘Trial of the Chicago 7’ a gripping history lesson
Movie review: Aaron Sorkin’s chronicle of seven defendants selected as scapegoats for Vietnam War-era riots is nicely layered and toned.
Keaton’s ‘Mr. Mom’ (1983) is a soapy domestic sitcom
Hughes Day Tuesday (Movie review): Keaton and Garr are pleasant, but the dad’s helplessness is simultaneously absurd and not as funny as it should be.
Keaton mesmerizes as shady McDonald’s ‘Founder’ (2017)
Throwback Thursday (Movie review): The film paints Kroc as a fascinating mix of contradictions: admirably driven but completely unscrupulous.