If you’re looking for a mystery series where you can watch one episode nightly, then discuss theories with friends via a chat thread, then revel
“Frenzy” (1972) is Alfred Hitchcock’s best British film – even though it’s his only British film after he switched to Hollywood, and it’s from his
Amid the resurgence of lush Poirot movies, Miss Marple tiptoed in with “The Mirror Crack’d” (1980). It’s a faithful, respectable adaptation, and many people liked
As her career launched, like most actresses, Christina Ricci supplemented artistic, critic-lauded work with better-paying gigs, which likely explains her top billing in “The Gathering”
Any dive into the great film noirs has to include “The Third Man” (1949), often ranked among the best British productions of all time. Interestingly,
“Mr. and Mrs. Smith” (1941) is infamously Alfred Hitchcock’s worst film because he operates like a hired hand, efficiently making a standard, unfunny rom-com. The
“Marnie” (1964) is an uneven film with bizarre behaviors by unlikeable people, the first of Alfred Hitchcock’s final five films that lack the wide acclaim
With his sixth sound film, “Number Seventeen” (1932, sometimes titled as “Number 17”), Alfred Hitchcock accidentally showcases his skill in action direction and editing. It’s
Heading into Season 5 (1993, ITV), the writers of “Agatha Christie’s Poirot” had eight more short stories to adapt (not counting the linked stories from
After three seasons of adapting short stories (with the exceptions of Season 2’s “Peril at End House” and Season 3’s “The Mysterious Affair at Styles”),