Mystery

‘Sparkling Cyanide’ retains glitz, mystery for 1983 TV movie

I mentioned in my review of 1985’s “Thirteen at Dinner” that Poirot feels out of time in the 1980s. However, other Agatha Christie novels translate

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Hall adds more psych-horror to resume with ‘Resurrection’ (2022)

At this point, you could do a film festival of Rebecca Hall psychological thrillers. After the likes of “The Gift” and “The Night House,” we

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Poirot time-travels to 1985 for ‘Thirteen at Dinner’

The third of Peter Ustinov’s six Hercule Poirot films, “Thirteen at Dinner” (1985), came out the same year as “Back to the Future.” This is

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‘Endless Night’ gets made into sneaky great 1972 film

As a general historical truth, Agatha Christie didn’t see a lot of great film adaptations of her work in her lifetime. What she really missed

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‘Death on the Nile’ (1978) faithfully and lavishly adapts Christie’s gem

The 1978 version of “Death on the Nile” has stayed afloat as one of the elite film adaptations of an Agatha Christie novel. Anthony Shaffer’s

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‘Cruel Summer’ Season 2 offers new timeline-hopping mysteries

In the modern tradition of new seasons of TV suddenly popping into existence, “Cruel Summer” Season 2 (Mondays, Freeform) has had its two-episode premiere. Again,

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The hauntings of Mike Flanagan: All 13 of his films and TV shows, ranked

In appropriate fashion for the horror genre, Mike Flanagan slowly crept onto the scene in the 2010s, making increasingly good, modestly budgeted films. Then he

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‘Watcher’ (2022) boasts style, paranoia, little else

“Watcher” (2022) isn’t to be confused with the TV series “The Watcher” (also 2022) or the previous movie “The Watcher” (2000). But it’s understandable if

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‘Scream VI’ is slick fun, but rules go out the window

I have a friend who sometimes says something is a good film, but it’s not a good film for what it’s supposed to be. We

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‘I See You’ (2019) consistently creepy, hurt by plot hole

The 2019 horror-thriller “I See You” is enjoying a second life on Netflix, and it is well deserved. Writer Devon Graye and director Adam Randall

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