Mystery

‘Pocket Full of Rye’ (1953) a pocket full of tropes

“A Pocket Full of Rye” (1953) is a novel full of tropes, but I mean that in a good way. If the previous Agatha Christie

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Scares diminish, but ‘Grudge 3’ (2009) is rather sweet

“The Grudge” films continue to be oddly conservative in their storytelling with “The Grudge 3” (2009). At a point where the series desperately needs a

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‘Yellowjackets’ soapier than I’d like, but has some sting

“Yellowjackets” (Sundays, Showtime, with the first episode free to everyone) has one of the best trailers of the Fall TV season. The idea of a

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‘Funerals are Fatal’ (1953), especially in this family

Fans who delight in Agatha Christie’s internal tropes will love “Funerals are Fatal” (1953, a.k.a. “After the Funeral”). It’s a page-turner with a family full

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‘Brahms: The Boy II’ (2020) all dolled up for silly scares

I almost laugh every time “Brahms: The Boy II” (2020) focuses in on the facial expression of the titular doll that’s supposedly terrorizing English-American couple

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‘Curse of the Jade Scorpion’ (2001) a mildly jazzy jaunt

Music and visual style are backdrops to the great Woody Allen films, but I notice them more in the weaker ones. “The Curse of the

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‘Last Séance’ (2019) gathers Christie’s spooky stuff

Agatha Christie was fascinated by the supernatural and paranormal – or at least the possibility thereof. But because her genre short stories are peppered across

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Keaton back for cozy ‘Manhattan Murder Mystery’ (1993)

Woody Allen acts across from Diane Keaton and co-writes with Marshall Brickman for the first time since “Manhattan” (1979) in an apt followup: “Manhattan Murder

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‘Hallowe’en Party’ (1969) can’t capture spirit of season

Agatha Christie is capable of writing spooky stuff, but it’s not till Poirot’s third-to-last novel, “Hallowe’en Party” (1969), that we get a Halloween-set yarn. Similar

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‘I Know What You Did Last Summer’ has bizarre, sharp edge

Lois Duncan (1934-2016) lamented that her 1973 YA suspense novel “I Know What You Did Last Summer” was adapted into a slasher movie in 1997.

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