Mystery

‘The Ring’ (2002) creepily brings J-horror to US

When I saw “The Ring” (2002) in theaters, people openly gasped at the moment when Samara (Daveigh Chase) crawls through the TV screen. That’d be

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‘Solaris’ (2002) fails to find purpose of its existence

Writer-director Steven Soderbergh’s “Solaris” (2002) tries to do something different 30 years after the classic Russian adaptation of the Stanislaw Lem novel. It fails in

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Crichton’s ‘Airframe’ (1996) reaches new heights

“Airframe” (1996) is the last Michael Crichton novel (under his own name) that I read for the first time. In the wake of “The Lost

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Poirot, dog sniff out Christie’s ‘Dumb Witness’ (1937)

“Dumb Witness” (1937, also published as “Poirot Loses a Client”) is a straightforward Agatha Christie mystery in its construction. But it stands out as a

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‘Devil Made Me Do It’ cursed by high ‘Conjuring’ bar

The first two “Conjuring” films ranked in my top 10s in 2013 and 2016. Despite a bevy of spinoff films in the interim, expectations were

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With 2 episodes left, 10 ‘Cruel Summer’ questions

Freeform is pushing the hashtags #IBelieveJeanette and #IBelieveKate in its “Cruel Summer” (Tuesdays) promotions. But I believe it’s unlikely that one is the villain and

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‘Cards on the Table’ (1936) shows closed-room mystery mastery

“Cards on the Table” (1936) starts with a weird premise and a weird hobby: A socialite, Mr. Shaitana, likes to throw parties where he invites

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Depressive ‘Solaris’ (1972) is the anti-‘2001’

Watched today, “Solaris” (1972) requires a pact with the viewer beforehand. It offers none of the things we look for in modern space films, such

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‘Rising Sun’ (1992) makes trade pacts thrilling

I was ambivalent about reading “Rising Sun” (1992), since I’m mainly into Michael Crichton for his sci-fi works. But I found it thoroughly engrossing as

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Poirot all business in ‘Murder in Mesopotamia’ (1936)

“Murder in Mesopotamia” (1936) is entertaining, but it doesn’t hold up to a close analysis the way Agatha Christie’s top-shelf novels do. In a way,

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