Mystery

Poirot airs his theories in ‘Death in the Clouds’ (1935)

Hercule Poirot is better known for solving murders on trains and riverboats, but he also solves a killing on an airplane (or “aeroplane,” by the

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‘Woman in the Window’ is too transparent

“The Woman in the Window” (Netflix) calls to mind Hitchcock’s “Rear Window” as Amy Adams’ Anna – an agoraphobic if you want to be nice;

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‘Sphere’ (1998) takes its place among sci-fi mind-benders

It’s been more than 20 years now, so I guess “Sphere” (1998) won’t become a cult classic. But darn it, it should have. This Michael

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Christie gets theatrical in ‘Murder in Three Acts’ (1935)

There are two types of mystery readers: Those who view the book as a puzzle they must solve, and those who read it for the

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Crichton opens a smart puzzle box in ‘Sphere’ (1987)

Most Michael Crichton novels have an immediate hook, which is often right there in the title, or at least the one-sentence description: “The Andromeda Strain”

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Christie expands sleuth roster with ‘Parker Pyne Investigates’ (1934)

Like “The Mysterious Mr. Quin,” “Parker Pyne Investigates” (1934) is a one-off collection of episodic short stories that launches a new and unusual investigator. The

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‘Cruel Summer’ is sudsy and satisfying

“Cruel Summer” (Tuesdays, Freeform) would’ve been a frothy summer cable series a decade ago. Today, TV schedules are less rigid, but this teen/family mystery gives

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‘Boomerang Clue’ (1934) a better romance than mystery

In “The Boomerang Clue” (1934), as with the 1922 Tommy and Tuppence novel “The Secret Adversary,” Agatha Christie uses the mystery format to write a

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Poirot questions himself in ‘Peril at End House’ (1932)

“Peril at End House” (1932) comes relatively early in Agatha Christie’s career, but already it feels like an effortlessly crafted Poirot mystery, featuring all the

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‘Broken Flowers’ (2005) a slow-burn travelogue

I’ve been reading a fair amount of old books lately (as readers of my Sleuthing Sundays series know) and I notice characters often pause for

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