Asia Argento gives Schrodinger’s Performance in “The Stendhal Syndrome” (1996): She’s simultaneously excellent and totally miscast. She plays Anna and carries us through the film
Raymond Chandler returns from a six-year break between Philip Marlowe novels with his best-so-far analysis of how people aren’t always what they seem to be.
I don’t quibble with endings as much as some viewers do; if the buildup is excellent, I’m lenient. But wow does “The House on Sorority
The “Fear Street” movies are the height of disposable slashers, but even so, it’s remarkable how disposable the characters are. These are the kind of
“Masterpiece Theatre” is a rather presumptuous premise, if you think about it, as the show (1967-2008) presented brand-new adaptations that may or may not be
Editor Vince Emery provides an archeological service as well as a literary one with “Lost Stories” (2005). He started by tracking down every under-published story
Dario Argento’s only full-length American production, “Trauma” (1993), is also his best movie that never gets talked about. It still has the Argento formula of
Watching “Woman in the Dark” (1934), it’s apparent why – other than classics like “The Maltese Falcon” (1941) and the “Thin Man” series – Dashiell
The mystery genre so exploded in popularity in the 20th century that the meta-mystery subgenre (movies poking fun at the tropes of mysteries) likewise exploded
“Agatha Christie’s Poirot” Season 13 (2013) secures the show’s spot as an all-time top-250 entry with two great episodes and three, um … interesting …