While it’s fair to say Raymond Chandler arrived as a groundbreaking hardboiled detective writer with his first novel, “The Big Sleep,” he’s still improving at
By the time of his ninth film in the horror-thriller genre, people knew what to expect from Dario Argento, but he has that knack –
Raymond Chandler himself said his contribution to the hardboiled genre was style. That’s evident in “The Big Sleep,” which some say has an incomprehensible plot,
“Heart Eyes” may have finally arrived at the solution to the date-movie marketing problem wherein the gal wants to see a rom-com and the guy
Having taken the baton from Dashiell Hammett for his first Philip Marlowe novel, “The Big Sleep” (1939), Raymond Chandler works on making his hardboiled private
“Phenomena” (1985) doesn’t stand out from the pack of Dario Argento’s catalog in a way we might hope, since it is sometimes called Argento’s “Carrie.”
In the middle of the last century, film was seen as the medium of discerning viewers and TV as the medium that had to account
“The Big Sleep” (1946) features Humphrey Bogart as Philip Marlowe, five years after he played Sam Spade in “The Maltese Falcon.” Although in my review
If the differences between the elite and the merely interesting Dario Argento films are a surprising ending, next-level kill scenes and pop-psychological underpinnings, “Tenebrae” (1982)
Outside of Halloween and Friday the 13th, both of which were already considered spooky days, probably the next holiday/annual event that slasher films tried to