Oscars

‘Crimes and Misdemeanors’ (1989) mulls murder, heartbreak

In “Crimes and Misdemeanors” (1989), Woody Allen makes such a personal thesis statement on two of his favorite topics – heartbreak and the inner price

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MCU machine rolls into China for ‘Shang-Chi’

“Shang-Chi and the Legend of the Ten Rings” is a successful product from the offices of Marvel Studios. The special effects showcase Chinese cultural imagery

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Slow-burn ‘Dune’ illustrates imperial machinations

Denis Villeneuve’s “Dune: Part One” (HBO Max), adapting the start of Frank Herbert’s 1965 novel, is more like homework than entertainment. But it’s not entirely

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‘Alice’ (1990) luxuriates in the lifestyle it criticizes

Woody Allen has written many films with substantial female characters, but “Alice” (1990) is one of the few where the woman is the title and

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‘The Sixth Sense’ (1999) invigorates meditative horror

Writer-director M. Night Shyamalan had made two films before, but “The Sixth Sense” (1999) is where he became M. Night Shyamalan – a name associated

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‘Vicky Cristina Barcelona’ (2008) is sumptuously Spanish

“Vicky Cristina Barcelona” (2008) is a rare Woody Allen movie that I wouldn’t initially guess was a Woody Allen movie if not for the credits.

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At 50, Roundtree’s ‘Shaft’ (1971) is still a cool cat

If nothing else, “Shaft” (1971) – which led to four sequels and a TV series – has style. Director Gordon Parks opens on Richard Roundtree’s

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Besson’s ‘Fifth Element’ (1997) an art-design paradise

“The Fifth Element” (1997) requires a pact with the audience that they’ll be up for something stylistically and tonally different from the average SF space

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In ‘Blue Jasmine’ (2013), there are no shortcuts

Cate Blanchett shines in “Blue Jasmine” (2013), but only figuratively. More literally, as the title character, she sweats, grimaces, shakes and shivers through a masterful

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Allen loves another city in ‘Midnight in Paris’ (2011)

We know Woody Allen loves New York City, but that doesn’t mean it comes at the expense of the other great cities of the world.

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