Oscars

Bay’s ‘The Rock’ (1996) is deliciously dumb fun

“The Rock” (1996) might not be a good film in any objective sense of the term (although it was nominated for a Best Sound Oscar),

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‘Contact’ (1997, 1985) makes science accessible, lovely

In the late-1990s gamut of “mysterious alien object/message” movies, “Contact” (1997) is the mainstream one – in the best sense of that term. You can

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‘Radio Days’ (1987) a trip back to medium’s heyday

Having expressed his nostalgic feelings for Manhattan (“Manhattan”) and old-time cinema (“Play It Again, Sam” and “The Purple Rose of Cairo”), Woody Allen next pens

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‘2001: A Space Odyssey’ (1968) is as cold as space itself

“2001: A Space Odyssey” (1968) kicked off nearly a decade of cerebral sci-fi that didn’t end until “Star Wars” premiered in 1977. Members of the

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Daniels shines in sweet ‘Purple Rose of Cairo’ (1985)

“The Purple Rose of Cairo” (1985) is a sweetly whimsical Woody Allen picture that demonstrates a love for cinema along with a healthy understanding of

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Nostalgic ‘Broadway Danny Rose’ (1984) doesn’t tug at heartstrings

“Broadway Danny Rose” (1984) is Woody Allen’s love letter to his standup comedy days. He plays the titular manager of has-been and never-was stage acts

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Allen gets mileage out of one joke in ‘Zelig’ (1983)

“Zelig” (1983) initially seems to be a case of one joke – that Leonard Zelig (Woody Allen) has chameleon abilities that allow him to blend

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‘Lost in Translation’ (2003) is exquisitely sad

From the early shot of Bill Murray’s Bob Harris riding through Tokyo in a cab while Girls’ “Death in Vegas” plays, “Lost in Translation” (2003)

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‘Manhattan’ (1979) another winner from Allen, Keaton

Woody Allen isn’t known as a commercial filmmaker, but “Manhattan” (1979) is – at least at first blush – an example of giving people what

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‘Seven’ (1995) is Fincher’s dirty, gorgeous masterpiece

As brutal as “Seven’s” (1995) subject is, you’d think it’d have no chance of ranking in IMDb’s all-time top 20. But that goes to show

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