Oscars

‘Ghostbusters’ (1984) masterfully mixes comedy, critique

Thirty-five years later, “Ghostbusters” (1984) stands as a master class in how to smoothly mix genres. Bill Murray is consistently in a wry comedy while

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‘Spider-Man 2’ (2004) is everything a superhero sequel should be

From the opening credits that recap the first film’s narrative with pencil drawings to the closing moments of Mary Jane (Kirsten Dunst) deciding to give

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Raimi’s ‘Spider-Man’ (2002) nails casting and tone

I thought “Spider-Man” (2002) was run-of-the-mill when I saw it in theaters, but I got into it more on this rewatch. It’s a down-the-middle origin story

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‘Karate Kid’ (1984) a flawed classic for young viewers

The same thing that excites a viewer about “The Karate Kid” (1984) – the fact that it’s directed by John G. Avildsen and filled with

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‘The Verdict’ (1982) a masterwork of the courtroom drama form

“The Verdict” (1982) is most known for the engrossing turn by Paul Newman as a down-and-out lawyer who gets obsessed with one case, but it’s

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‘Avengers: Endgame’ is prestige superhero entertainment

The grand experiment is over, and it’s a success. The first 22 films of the Marvel Cinematic Universe comprise a saga similar to a TV

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‘Wag the Dog’ (1997) a searing satire of a presidential scandal

Writer David Mamet – with Barry Levinson directing – switches his focus from the small cons of “House of Games” and the like to the

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Sony enters multiverse with ‘Spider-Man: Into the Spider-Verse’

“Spider-Man: Into the Spider-Verse” (2018) is a typical, solid animated kids’ movie about teenager Miles Morales (Shameik Moore) learning how to be Spider-Man, but on

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20 years later, it’s still worth entering ‘The Matrix’ (1999)

“The Matrix” was a cultural phenomenon when it was released on March 31, 1999. It elevated Keanu Reeves from movie star to superstar and introduced the

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‘The Untouchables’ (1987) a flat telling of the Prohibition battle

I wouldn’t mind looking at a series of still photos from “The Untouchables” (1987) or listening to the genre-hopping score by Ennio Morricone. But when

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