Looking for a Throwback Thursday in conjunction with Brie Larson’s “Captain Marvel,” I perused her IMDB credits to note the films I’d already seen. I
Writer-director Peter Farrelly smooths out the excesses of his filmmaking traits for the surprisingly mainstream and easy-to-like “Green Book” (2018), now back in theaters and
“Glengarry Glen Ross” (1992) has an absurdly stacked roster of talent – all men, because only men work at this particular real-estate office, which I
When I throw around the phrase “makeshift family” in reviews, I’m usually talking about tight groups of friends. But the Japanese film “Shoplifters” (2018) shows us
A lot has been made about how horror (“Get Out” last year) and superhero (“Black Panther” this year) films are making inroads with the Oscars,
With the Oscars coming up, the guilt of constantly scrolling past “Roma” (2018) on Netflix en route to “Daredevil” episodes finally got to me, and I
Prior to seeing “Bohemian Rhapsody” (2018), I was hardly a Queen fan. The band’s popularity had faded before I was old enough to appreciate it, and
I’m usually not a fan of remakes, but I make exceptions if the remake brings a fresh perspective to the material. I can also be
After his love letters to jazz — “Whiplash” (2014) and “La La Land” (2016) — a film fan wouldn’t be surprised if director Damien Chazelle’s
With “Gotham” returning for its final season this month, I’m looking back at past “Batman” projects from the perspective of someone who enjoyed “The Animated