Oscars

‘The Third Man’ (1949) doesn’t even need a third man to be great

Any dive into the great film noirs has to include “The Third Man” (1949), often ranked among the best British productions of all time. Interestingly,

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‘Kingdom of the Planet of the Apes’ goes bananas with character creation

Ten films in, and the “Planet of the Apes” saga is still worth going ape for. Wes Ball, director of the “Maze Runner” films, brings

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‘A Simple Plan’ (1993, 1998) chillingly shows how easily things can spiral

“A Simple Plan” (1993) is the consummate novel about cause and effect, choices and consequences, and the differences between inner thoughts and outward appearance. In

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‘Ghost World’ (2001) gets more substantial on repeat viewings

It’s the mark of great cinema that a movie can mean one thing to a 20-something and another thing to a 40-something, but remain profound.

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‘Godzilla Minus One’ (2023) is Japan’s ‘Independence Day’

Surprising for a nationalistic era in human history, 2023 saw the release of two World War II films that aren’t particularly complimentary toward their source

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‘Suspicion’ (1941) a lesser companion piece to ‘Rebecca’

Just one year after “Rebecca,” director Alfred Hitchcock and actress Joan Fontaine made the very similarly themed “Suspicion” (1941). It’s a classic example of an

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Hitchcock’s ‘Lifeboat’ (1944) reminds us that Nazis are evil

Alfred Hitchcock loved single-location movies shot on soundstages or backlots, because he could control everything. Because they were often so good, he made us love

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Hitchcock improves on his own ‘The Man Who Knew Too Much’ (1934, 1956)

“The Man Who Knew Too Much” (1934, 1956) is a rare film remade by its own director, and it’s a pretty good one … after

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Mix of romance, psychology, mystery leaves a viewer ‘Spellbound’ (1945)

Alfred Hitchcock’s seventh American feature, “Spellbound” (1945), is a fascinatingly successful crossroads film. It blends a sweeping score and romance like we might find in

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Hitchcock’s most overrated film is for ‘The Birds’ (1963)  

Watching Alfred Hitchcock films – especially his classics – for this blog series is generally a pleasure, but with “The Birds” (1963) it becomes homework.

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