‘From Dusk Till Dawn’ (1996) is a really good half of a movie
Frightening Friday (Movie review): Rodriguez and Tarantino have fun making a grindhouse-style movie. It’s almost at the film’s expense.
‘Pulp Fiction’ (1994) ingeniously makes the whole film into a maguffin
Throwback Thursday (Movie review): In his masterwork of dark comedy, Tarantino relies on the audience’s cinema knowledge to cleverly invert the crime genre’s traditional message.
‘Reservoir Dogs’ (1992) launches Tarantino’s career with a quiet bang
Throwback Thursday (Movie review): Though the film took a while to be widely appreciated, the Seventies nostalgia of Nineties cinema starts here.
‘True Romance’ (1993) a violent fairy-tale love story
Throwback Thursday (Movie review): Even coming out in the wake of “Glengarry Glen Ross,” the depth of acting talent in this Tarantino-Scott riff is incredible.
Tarantino loves, lampoons motion picture industry in luscious ‘Once Upon a Time … in Hollywood’ (Movie review)
Quentin Tarantino low-key makes fun of 1969-era movie- and TV-making in “Once Upon a Time … in Hollywood.” But the production design by Barbara Ling and cinematography by Robert Richardson are as lush as “La La Land” (2016) and arguably even more impressive because this film is recreating a very specific time. So there’s no
‘Grindhouse’ review
“Grindhouse” – Writer-directors Robert Rodriguez and Quentin Tarantino have a bloody good time here, spinning yarns in the style of the choppy, grainy B-movies they grew up watching in the 1970s. Rodriguez’s “Planet Terror” is the highlight, featuring Rose McGowan as a one-legged, machine-gun-wielding stripper who battles zombies. Tarantino’s “Death Proof” gets mileage from Kurt
‘Sin City’ review
“Sin City” – This adaptation of Frank Miller’s gritty and remarkably violent comics, directed by Robert Rodriguez in a nearly panel-by-panel style, is three mini-movies in one. The second, starring Benicio Del Toro’s head, and third, a gritty love story between Bruce Willis and Jessica Alba (“There’s wrong, and then there’s wrong, and then there’s
Tarantino fans will likely love everything about ‘Django Unchained’ (Movie review)
I’m not naturally inclined to see a Quentin Tarantino film, but a couple of friends’ excitement about “Django Unchained,” combined with the generally positive reviews, got me to say “What the heck — I’ll give it a fair shot.” As I expected, it’s really violent — it’s not that I’m in danger of barfing in my popcorn