“Repulsion” (1965) has aged incredibly well, a modern-seeming story of a woman’s troubled mind. “Rosemary’s Baby” (1968), though slow by today’s standards, is a classic
Jack Nicholson was too young for the first wave of noir, but luck would have it that he was in his prime for Seventies neo-noir.
If “Repulsion” (1965) were remade today, it couldn’t be a more searing, insightful look into one autistic woman’s experience in a neurotypical world than what
The term wasn’t popularized at the time, but “Rosemary’s Baby” (1968) is a master class in gaslighting. In her sympathetic breakthrough role, Mia Farrow’s title