Romance

‘Waltzes from Vienna’ (1934) a light but important Hitchcock film

“Waltzes from Vienna” (1934) isn’t quite a musical – after all, it focuses entirely on the creation of a single song, Johann Strauss II’s “The

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Country life is an unfunny slog in ‘The Farmer’s Wife’ (1928)

If I had a time machine to observe audience reactions of the past, I’d first go to an opening screening of “Psycho” (1960) to enjoy

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‘My Old Ass’ is low-key one of the year’s best movies

The title doesn’t set the mood for one of the best movies of 2024. “My Old Ass” is the most delicately pleasant coming-of-age movie I’ve

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Nick and Nora are stars in ‘After the Thin Man’ (1936), ‘Another Thin Man’ (1939)

With his novel “The Thin Man” (1934), Dashiell Hammett switched protagonists from workaholic, down-and-dirty sleuths to a detective who retired at a young age and

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Raise a glass to Hitchcock’s bubbly ‘Champagne’ (1928)

The riches-to-rags (and perhaps back to riches) story was among Alfred Hitchcock’s favorite structures of the Roaring Twenties. He approached it seriously in “Downhill” (1927),

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‘Sign of Four’ (1890) shows early signs of Holmes’ iconic status

Sherlock Holmes didn’t take off as a popular character with his second novel, “The Sign of Four” (sometimes titled “The Sign of the Four,” 1890);

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‘The Two Jakes’ (1990) brings ‘Chinatown’ into the ’40s and ’90s

“Chinatown” (1974) is one of the most important Seventies neo-noirs, and one of the most straightforward, as it is set during the OG era of

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‘Stage Fright’ (1950) puts love rectangle at center stage

“Stage Fright” (1950) revisits the wrongly pursued person and theatrical setting of “Murder!” (1930) and executes the subsequent events better. Flirting with slow-burn romantic intrigue

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A fanged swain makes his dad proud in ‘Son of Dracula’ (1943)

What is “Son of Dracula” (1943) about? It is a black-and-white horror flick that concerns a Southern belle aiming for immortality – and also, a

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‘Chinatown’ (1974) links two eras of film noir

Jack Nicholson was too young for the first wave of noir, but luck would have it that he was in his prime for Seventies neo-noir.

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