Romance

‘Ænigma’ (1987) embraces reincarnation, psychokinetics, carnivorous snails

“Ænigma” (1987) dares ask: Can a lady in a coma avenge herself via a rebel-gal at a Catholic girls’ school? It’s the same rhetorical question

READ MORE

‘Rich and Strange’ (1931) cracks code of talkie filmmaking

After middling creative success with what today play like filmed theatrical works early in the sound era, Alfred Hitchcock opens up to the medium’s potential

READ MORE

‘High Potential,’ ‘Brilliant Minds,’ ‘Penguin’ showcase diverse brains

2024 might be the pivotal year for neurodiversity on TV, as “High Potential,” “Brilliant Minds” and even “The Penguin” feature different types of mental spaces.

READ MORE

‘Where the Sidewalk Ends’ (1950) reverses the Hitchcock formula

Six years after the lauded “Laura,” the trio of director Otto Preminger and stars Dana Andrews (the guy) and Gene Tierney (the dame) reteam for

READ MORE

Fall movie preview 2024: 10 films I wouldn’t mind seeing

Depth might be returning to Hollywood’s offerings this fall. The season is short on mega-hyped movies, but a closer look reveals many projects whose taglines

READ MORE

Fall TV preview 2024: 10 shows I wouldn’t mind watching

Is Fall TV still a thing in this era when new stuff starts and ends at all points on the calendar, seemingly at random? It

READ MORE

Smart small-cast mystery makes ‘Laura’ (1944) a classic noir

One of my favorite hidden gems among Agatha Christie’s catalog is “Cards on the Table” (1936), because she establishes that only four people are in

READ MORE

Bone-dry comedy ‘Buffalo ’66’ (1998) an all-time weird romance

Christina Ricci made her transition from kid to adult fare in stark fashion. A year after doing “That Darn Cat,” she starred in “The Opposite

READ MORE

Symphonic score makes ‘Easy Virtue’ (1928) easy to watch

“Easy Virtue” (1928), the sixth among Alfred Hitchcock’s preserved silent films, today plays like a symphony orchestra performance accompanied by moving images. As with most

READ MORE

‘Blow Out’ (1981) blows it at the end, but is still great

As it peers into the dark corners of a massive conspiracy but maintains a personal scope, writer-director Brian De Palma’s solid thriller “Blow Out” (1981)

READ MORE