Science Fiction

Crichton masters the conspiracy thriller in ‘Coma’ (1978)

Michael Crichton’s previous directorial work, “Westworld” (1973), is more famous, because it’s a more original idea. But his followup, “Coma” (1978), is a more engrossing

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‘Blade Runner’ makes stylish move to TV with ‘Black Lotus’

“Blade Runner: Black Lotus” (midnight Eastern Saturdays, Cartoon Network) puts dystopian future L.A. – in 2032, but it looks the same as the original movie,

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Slow-burn ‘Dune’ illustrates imperial machinations

Denis Villeneuve’s “Dune: Part One” (HBO Max), adapting the start of Frank Herbert’s 1965 novel, is more like homework than entertainment. But it’s not entirely

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‘Next’ (2006) a weirdly engineered novel about genetics

“Next” (2006) is Michael Crichton’s most experimentally structured novel, which is appropriate because it’s about genetic experimentation. It has no A-plot, but is instead a

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In tense ‘A Quiet Place Part II,’ story is secondary

“A Quiet Place Part II” (now available for home viewing) is more like episode two of a TV series than a movie sequel. Writer-director-actor John

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‘Bloodless’ an amusing dive into Savannah, weird science

Douglas Preston and Lincoln Child’s “Bloodless” (August, hardcover) explores their love and fascination with Savannah, a town architecturally trapped in time. But too many words

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NBC’s new Event Series, ‘La Brea,’ is stuck in the pits

Cool concepts aren’t enough anymore. “La Brea,” which premiered Tuesday on NBC, has a pretty good one: A sinkhole opens at the titular tar pits

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‘State of Fear’ (2004) has impeccable research, crazy plot

With “State of Fear” (2004), Michael Crichton takes the opposite of his usual approach. Usually he peppers research into an action-adventure. Here he grafts action-adventure

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‘Prey’ (2002) predicts chilling end for humanity

In “Jurassic Park” (1990), Michael Crichton shows that bringing back dinosaurs is a scary proposition. But how hard is that? Dinosaurs were already scary. “Prey”

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‘Congo’ (1995) taps into old-fashioned adventure

After “Jurassic Park” (1993), Hollywood wanted to get back into the Michael Crichton business. The first big-budget sci-fi title after that, the long in-development “Congo”

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