Sue Grafton

Action gets heated in Grafton’s ‘H is for Homicide’ (1991)

Sue Grafton tried something different in “G is for Gumshoe,” pairing Kinsey with a temporary partner/love interest while she was being hunted. Because the author

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‘G is for Gumshoe’ (1990) … and for good, but not great

Sue Grafton overlaps two high concepts in “G is for Gumshoe” (1990) but under-develops one of them, leading to a fizzle of an ending. In

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Fantastic ‘F is for Fugitive’ (1989) is far from a failure

Kinsey Millhone is tired, annoyed, criticized coming and going, and attacked by a tennis-racket wielding nutjob in “F is for Fugitive” (1989). In other words,

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‘E is for Evidence’ (1988) that a more evocative tale could’ve been told

In “E is for Evidence” (1988), there’s evidence that Sue Grafton underwrites key parts of the mystery. While this fifth Kinsey Millhone book has compelling

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‘D is for Deadbeat’ (1987) a rather downbeat Millhone entry

“D is for Deadbeat” (1987), and also for “downbeat,” in Sue Grafton’s fourth Kinsey Millhone mystery. The private eye spends her whole time on the

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‘C is for Corpse’ (1986), and for character building, in third Millhone book

“C is for Corpse” (1986), appropriately, has the most Character of the Kinsey Millhone series up to this point. Kinsey becomes comfortable in her own

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Grafton doesn’t bungle sophomore Kinsey novel ‘B is for Burglar’ (1985)

For Dr. Nick Riviera of “The Simpsons,” “B” is for bargain, but for the second book in the Kinsey Millhone mystery series, “B is for

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‘A is for Alibi’ (1982) an amiable start to Kinsey Millhone series

One risk of doing a mystery series based on the alphabet is a book buyer’s knee-jerk reaction to associate it with “Sesame Street,” but ultimately

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Hayes steps into Marple role for lively ‘Caribbean Mystery’ (1983)

When it comes to getting all the Miss Marple traits correct, Joan Hickson can’t be topped, but if someone prefers Helen Hayes, I can’t quibble

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‘Sparkling Cyanide’ retains glitz, mystery for 1983 TV movie

I mentioned in my review of 1985’s “Thirteen at Dinner” that Poirot feels out of time in the 1980s. However, other Agatha Christie novels translate

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