- John Hansen
- November 26, 2017
‘Girlfight’ review
NDSU Spectrum: Movie review In ‘Girlfight,’ life is like a boxing match By JOHN HANSEN Oct. 27, 2000 Diana Guzman hates the world. The Latin
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- John Hansen
- November 26, 2017
‘Almost Famous’ review
NDSU Spectrum: Movie review ‘Almost Famous’ makes you feel all warm and fuzzy By JOHN HANSEN Oct. 13, 2000 “Almost Famous” is so relentlessly warm
- John Hansen
- November 26, 2017
‘Urban Legends: Final Cut’ review
NDSU Spectrum: Movie review ‘Urban Legends’ a finely crafted horror gem By JOHN HANSEN Sept. 29, 2000 As one of the characters in “Urban Legends:
- John Hansen
- November 26, 2017
‘Bring It On’ review
NDSU Spectrum: Movie review Cheerleading satire ‘Bring It On’ is shallow yet engaging By JOHN HANSEN Sept. 22, 2000 While it may not be worthy
- John Hansen
- November 26, 2017
‘The In Crowd’ review
“The In Crowd” — I think this was supposed to be a spicy suspense thriller about a group of young people obsessed with maintaining their image,
- John Hansen
- November 26, 2017
‘Finding Forrester’ review
NDSU Spectrum: Movie review ‘Forrester’ recaptures the magic of ‘Good Will Hunting’ By JOHN HANSEN Jan. 19, 2001 In one of the after-school chats in
- John Hansen
- November 26, 2017
‘Bully’ review
NDSU Spectrum: Video review ‘Bully’ a harrowing, painfully real murder story By JOHN HANSEN Jan. 25, 2002 Now here’s a film that does justice to
- John Hansen
- July 15, 2017
‘Young Americans’ (2000) a brainy, pretty ‘Creek’ spinoff
Perhaps more so than any other TV show lost to history, “Young Americans” (2000, The WB) benefits from a rewatch. Although I watched the whole eight-episode run
- John Hansen
- June 8, 2017
All 10 episodes of ‘James at 16’ (1978), ranked
Although it’s still technically the same show, just with a new name, the 10 episodes known as “James at 16” (1978, NBC) divert from the 11 previous
- John Hansen
- June 2, 2017
All 11 episodes of ‘James at 15′ (1977-78), ranked
If not for “Dawson’s Creek,” I might not know “James at 15” (1977-78, NBC) existed. Somewhat obsessed with “DC” at its inception, I picked up Andy Mangels’