John Hansen

Ghosts

CBS’ ‘Ghosts’ is a pale shadow of anything original, funny

First episode impressions (TV review): “Ghosts” encapsulates everything that’s uninspired about the modern sitcom genre, especially on network TV.

A Quiet Place Part II

In tense ‘A Quiet Place Part II,’ story is secondary

Movie review: This is yet another apocalyptic film, but it’s gripping as Millicent Simmonds grows into a rare hearing-impaired movie star.

The Grudge 2

‘Grudge 2’ (2006) is nonsensical, scary and fun

Frightening Friday (Movie review): The Grudges continue to stalk people, and that’s all there is to it. But this sequel is nonetheless easy to watch.

Stardust

‘Stardust’ (2007) doesn’t shine as bright as it could

Throwback Thursday (Movie review): “Stardust” has the trappings of a classic, but as it sails past the 2-hour mark, it’s defined by its indulgences.

Alice

‘Alice’ (1990) luxuriates in the lifestyle it criticizes

Woody Wednesday (Movie review): Mia Farrow is outshone by the supporting cast, but “Alice” is wonderful to look at under Carlo di Palma’s lens.

Travels

‘Travels’ (1988) gives surprising insight into Crichton

Michael Crichton Monday (Book review): These essays touch on his inspirations for novels. But Crichton’s interest in the paranormal is the big surprise.

There's Someone Inside Your House

‘There’s Someone Inside Your House’ mixes old and new

Movie review: This Netflix slasher is a fun but ultimately tame Gen-Z statement on social issues and the direction of the genre.

Mrs. McGinty's Dead

‘Mrs. McGinty’s Dead’ (1952), and everyone’s a suspect

Sleuthing Sunday (Book review): This might be Christie’s most convoluted, unsolvable mystery. But it’s a solid character piece for Poirot.

Halloween movies ranked

The shaping of a saga: All 13 ‘Halloween’ films, ranked

Movie rankings: As Michael Myers continues to stalk Laurie Strode through the decades, here’s a ranking of the “Halloween” films to date.

Veronika Decides to Die

‘Veronika Decides to Die’ (2009) a small psych-ward gem

Throwback Thursday (Movie review): This under-the-radar release about a suicidal workaday woman might actually be Sarah Michelle Gellar’s best film.