John Hansen

The Visit

Shyamalan back on chilling track with ‘The Visit’ (2015)

A Week of Night (Movie review): After a string of widely disliked films, M. Night Shyamalan re-establishes his horror clout with “The Visit.”

The Last Airbender

‘Last Airbender’ (2010) takes wind out of Night’s sails

A Week of Night (Movie review): This adaptation of a beloved animated series often looks spectacular, but the story and performances are dull.

The Happening

‘The Happening’ (2008) an accidental pandemic parable

A Week of Night (Movie review): “The Happening” is on no one’s list of the best Shyamalan films, but it does achieve more value through a pandemic lens.

Shyamalan’s ‘Signs’ (2002) is crafty family horror

A Week of Night (Movie review): Writer-director M. Night Shyamalan again displays his knack for turning simple ideas into big scares.

The Sixth Sense

‘The Sixth Sense’ (1999) invigorates meditative horror

A Week of Night (Movie review): “The Sixth Sense” put M. Night Shyamalan on the map, but the film’s quality goes beyond the twist.

Sad Cypress

‘Sad Cypress’ (1940) a powerful Poirot potboiler

Sleuthing Sunday (Book review): Christie approaches this one from new angles: a court case, and relationships that seem real.

Fear Street Part Three

‘Fear Street Part Three: 1666’ ends trilogy with panache

Movie review: The “Fear Street” trilogy wraps with a decent young-adult version of Colonial New England horror that ties the story into a neat bow.

Texas Chainsaw Massacre 2003

‘Texas Chainsaw Massacre’ (2003) a remake done right

Frightening Friday (Movie review): Director Nispel taps into the old backwoods horror while Kosar has a blast writing an alternate narrative.

Major League Back to the Minors

3rd ‘Major League’ should go ‘Back to the Minors’ (1998)

All-Star Movie Break (Review): The last “Major League” film is a mishmash of unfunny comedy and unrealistic baseball issues. At least it’s in focus.

Major League II

Winning gets old in Sheen’s ‘Major League II’ (1994)

All-Star Movie Break (Review): This sequel coasts by on the original’s success, repeating everything in a more tired fashion.