John Hansen

The Terminal Man

Crichton warns of mind control in ‘Terminal Man’ (1972)

Michael Crichton Monday (Book review): Mind-control via computers never became a thing. But that only makes “The Terminal Man” more fascinating.

The Mysterious Mr. Quin

‘Mysterious Mr. Quin’ (1930) toys with supernatural

Sleuthing Sunday (Book review): Christie tiptoes close to adding the supernatural into her work in this collection that explores relationships.

The Slumber Party Massacre

‘Slumber Party Massacre’ (1982) is moldy slasher cheese

Frightening Friday (Movie review): Some 1980s slasher films are a lot of fun. And some, like this one, are a cut below.

Meatballs

Mediocre ‘Meatballs’ (1979) puts Murray on map

Throwback Thursday (Movie review): “Saturday Night Live’s” Murray carries this camp comedy, but even he can’t overcome the weak screenplay.

A Midsummer Night's Sex Comedy

‘Midsummer Night’s Sex Comedy’ (1982) an amusing riff

Woody Wednesday (Movie review): Allen’s nod to Shakespeare is an enjoyably light take on ideas we’ve seen him explore before.

The Andromeda Evolution

Wilson’s ‘Andromeda Evolution’ (2019) a strong sequel

Michael Crichton Monday (Book review): Daniel H. Wilson’s sequel to “The Andromeda Strain” is a neat way to satiate fans’ hunger for more Crichton stories.

Partners in Crime

Tommy and Tuppence star in ‘Partners in Crime’ (1929)

Sleuthing Sunday (Book review): Agatha Christie returns to the husband-and-wife amateur detectives in a likable short-story collection.

The Texas Chainsaw Massacre 2

‘Texas Chainsaw Massacre 2’ (1986) a bonkers comedy

Frightening Friday (Movie review): This is a rare sequel in a different genre from the original. The switch from scares to laughs is not for the better.

Zack Snyder's Justice League

Snyder’s ‘Justice League’ beefs up Steppenwolf, DCEU

Movie review: The Whedon and Snyder versions are polar opposites. The most notable metric is that the original is 2 hours long and this one is 4 hours.

Lost in Translation

‘Lost in Translation’ (2003) is exquisitely sad

Throwback Thursday (Movie review): Director Sofia Coppola’s elite film wonderfully uses music, imagery and mood to create a magical Tokyo.