John Hansen

Hound of the Baskervilles

The moor the merrier in ‘Hound of the Baskervilles’ (1902)

Sleuthing Sunday (Book review): Doyle’s gothic-horror descriptions of the moor and its denizens stand out more than the clues.

Laura

Smart small-cast mystery makes ‘Laura’ (1944) a classic noir

Throwback Thursday (Movie review): Otto Preminger’s film pivots around the femme fatale and keeps us guessing about whodunit despite a small cast.

Murder

‘Murder!’ (1930) is an overly talky early Hitchcock talkie

On a Hitchcock kick (Movie review): The eventual Master of Suspense hasn’t yet mastered talkie filmmaking at this point.

A Study in Scarlet

Legendary gumshoe takes first steps in ‘A Study in Scarlet’ (1887)

Sleuthing Sunday (Book review): Decades before Christie’s puzzles, Doyle popularized the procedural mystery via Sherlock Holmes.

Evil Season 4

‘Evil’ wraps 50-episode run as one of TV’s sneaky-best shows

TV review: Canceled before the Kings were ready to end the story, “Evil” never loses its laser-focus on the main trio and what they stand for.

Buffalo '66

Bone-dry comedy ‘Buffalo ’66’ (1998) an all-time weird romance

Throwback Thursday (Movie review): Vincent Gallo’s standout film is an odd mix of an unlikely situation with likeable characters.

Easy Virtue

Symphonic score makes ‘Easy Virtue’ (1928) easy to watch

On a Hitchcock kick (Movie review): The story is mildly engaging as it examines a time when the act of filing for divorce could apparently make you famous.

Dain Curse

Three-pronged plot of ‘The Dain Curse’ (1929) is worth the effort

Sleuthing Sunday (Book review): The Continental Op does meat-and-potatoes work to solve Hammett’s most multi-layered mystery.

Blow Out

‘Blow Out’ (1981) blows it at the end, but is still great

Throwback Thursday (Movie review): A likeable Travolta and Allen guide this conspiracy noir through its beats, but De Palma doesn’t stick the landing.

Blackmail

Hitchcock makes sound transition to talkies in ‘Blackmail’ (1929)

On a Hitchcock kick (Movie review): The tech transition feels gimmicky, but three compelling characters and a modern theme keep matters suspenseful.