John Hansen

Capricorn One

‘Capricorn One’ (1977) gets off the ground as a conspiracy tale

Throwback Thursday (Movie review): The mission might stay grounded, but the dry comedy and thrills fly high in Peter Hyams’ film.

Rich and Strange

‘Rich and Strange’ (1931) cracks code of talkie filmmaking

On a Hitchcock kick (Movie review): In this Joan Barry-driven romantic drama, Hitchcock realizes the principles of silent filmmaking can still apply.

High Potential

‘High Potential,’ ‘Brilliant Minds,’ ‘Penguin’ showcase diverse brains

First episode impressions (TV reviews): Good ole comfort TV is also on the docket this fall, with “Murder in a Small Town,” “Rescue: HI-Surf” and “Doctor Odyssey.”

Apartment 7A

‘Apartment 7A’ could be called ‘Terry’s Baby’

Movie review: Though not original, there’s a smidgen of appeal both for those familiar and unfamiliar with “Rosemary’s Baby.”

Rosemarys Baby

‘Rosemary’s Baby’ (1968) is horror by gaslight

Frightening Friday (Movie review): Kicking off a religious-horror boom that hasn’t relented, Polanski’s classic feels timeless, if overlong.

Where the Sidewalk Ends

‘Where the Sidewalk Ends’ (1950) reverses the Hitchcock formula

Throwback Thursday (Movie review): A guilty man is on the run in this engaging but flawed follow-up from the director and stars behind “Laura.”

The Skin Game

Rules of ‘The Skin Game’ have changed since 1931

On a Hitchcock kick (Movie review): Still, some Hitchcock fans might enjoy this early sound effort as a time capsule of real-estate machinations.

Fall Movie Preview

Fall movie preview 2024: 10 films I wouldn’t mind seeing

Fall movie preview: Fans of horror, superheroes and biopics especially have a lot to look forward to this autumn.

Fall TV Preview

Fall TV preview 2024: 10 shows I wouldn’t mind watching

Fall TV preview: Fall TV is still a thing (sort of), so here are 10 new shows that might be worth checking out.

Hound of the Baskervilles

The moor the merrier in ‘Hound of the Baskervilles’ (1902)

Sleuthing Sunday (Book review): Doyle’s gothic-horror descriptions of the moor and its denizens stand out more than the clues.