John Hansen

Shallows

Minimalist ‘The Shallows’ (2016) maximizes thrills 

Toothy Tuesday (Movie review): With its Earth Porn visuals and expert suspense-building, “The Shallows” earns its spot among elite shark films.

Black Phone

‘Black Phone’ about as interesting as a dead line 

Movie review: Despite the talents of the “Sinister” director and Stephen King’s son, you can let Blumhouse’s new horror flick go to voicemail.

They Came to Baghdad

‘They Came to Baghdad’ (1951) a vibrant Mideast adventure 

Sleuthing Sunday (Book review): In addition to its strength as a travelogue, this is also among Christie’s most entertaining spy novels.

Michael Crichton films ranked

On the cutting edge: Every Michael Crichton film, ranked 

Movie list: As Summer 2022 gives us new chapters in the “Jurassic” and “Westworld” sagas, let’s look back at the core canon of Crichton.

Summer of 84

‘Summer of 84’ (2018) a gem amid ’80s nostalgia boom 

Frightening Friday (Movie review): Fans of “Stranger Things” and “It” will want to check out this overlooked Canadian gem.

Point Break

‘Point Break’ (1991) a dumb, then great, action classic 

Throwback Thursday (Movie review): “Point Break” is a tale of two halves – first a cringingly dumb buddy copper, then an all-time genre gem.

Deep Blue Sea 2

Lazy sequel ‘Deep Blue Sea 2’ (2018) bites the big one 

Toothy Tuesday (Movie review): This sequel exists to cash in on the original’s name. It recycles the plot but does everything worse.

Dealing

‘Dealing’ (1972) a still-relevant time capsule of Drug War 

Michael Crichton Monday (Movie review): The film is a little better than the book as Robert F. Lyons plays a good-hearted pot dealer.

Michael Crichton books ranked

The near-futurist: All 28 Michael Crichton novels, ranked 

Book list: As the Summer of Crichton continues on our screens, here are my rankings of the 28 novels from the man who invented the techno-thriller.

Fresh

Dark horror-comedy serves up ‘Fresh’ dating insights 

Movie review: The 2022 film with the biggest twist is propelled by social commentary and tasty chemistry between Daisy Edgar-Jones and Sebastian Stan.