“The Adventures of Sherlock Holmes” (1892) is simultaneously a timelessly great read – with deliberate yet steadily moving prose that flows like honey today –
“Enemy of the State” (1998) is a link from the Seventies to the Nineties to today as it illustrates spy-state apparatuses at the point of
If it wasn’t official already, in “Terrifier 3” Damien Leone has taken the baton from Eli Roth as the goriest filmmaker working today. He’s also
“Agatha Christie’s Poirot” became a well-oiled machine in Season 2, and it classes things up further in Season 3 (1990-91, ITV). While retaining its vibe
Special issues of franchise tie-in series are always irresistible, and always risky. Discerning readers of Boom! Studios’ “Firefly” will want to be cautious with “The
“Dead End” (2003) is one of the most efficiently budgeted Christmas horror films out there, but luckily it’s not a dead end of entertainment. Balancing
“Love Actually” (2003) starts off so lovable – safely mainstream, but with touches of cynicism to undercut that when needed — that one wonders if
“Hercule Poirot’s Christmas” (1938) is a solid book with one of the most unlikely types of killers in Agatha Christie’s catalog, but it’s a little
“Marple: Twelve New Mysteries” (2022) – the first officially published prose about Miss Jane Marple written by someone other than Agatha Christie – should please
There’s nothing worse than an unfunny comedy. But in a close second place is an unscary horror movie. And next is a Christmas movie without