David Mamet

Every David Mamet film, ranked (except ‘The Water Engine’)

From his first writing credit (1981’s adaptation of “The Postman Always Rings Twice”) through his most recent writer-director gig (the 2013 TV movie “Phil Spector”),

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‘Hoffa’ (1992) chronicles striking rise of union boss

David Mamet is known for writing con movies, and he sticks to that style even in his biographical/historical tales such as “Hoffa” (1992). Mamet’s worldview

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‘Deceptive Practice’ (2012) features Ricky Jay as it explores magic

Scrolling through options under a “David Mamet” search on my Roku, “Deceptive Practice: The Mysteries and Mentors of Ricky Jay” (2012) comes up a lot.

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‘Oleanna’ (1994) examines the end of traditional college

“Oleanna” (1994) might be writer-director David Mamet’s most divisive film. It examines the important issue of whether college should still be a revered institution, but

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Mamet, Lemmon reteam for ‘A Life in the Theatre’ (1993)

Like he would later do for Hollywood with “State and Main” (2000), writer David Mamet lovingly pokes fun at the art of the stage in

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Mamet creates sympathetic portrait of ‘Lansky’ (1999)

The Amazon Prime description for “Lansky” (1999) includes “notorious,” “gambling,” “bootlegging,” “racketeering” and “murder,” but the film – written by David Mamet and directed by

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‘The Postman Always Rings Twice’ (1981) launches Mamet’s film writing career

Film being a director’s medium, “House of Games” put David Mamet on the map in 1987. But his big-screen career launched earlier in the decade

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‘American Buffalo’ (1996) boosted by sad sacks Franz and Hoffman

“American Buffalo” (1996) is a mid-level example of the work of David Mamet, who writes the screenplay based on his 1975 stage play. I found

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‘The Old Religion’ (1997) goes into the mind of a wrongfully accused man

David Mamet is known for writing great dialog, but “The Old Religion” — his 1997 novel about the murder trial and conviction of innocent Jewish

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Mamet play gets turned into ‘About Last Night’ … twice

Although the two versions of “About Last Night” are one and two degrees removed from David Mamet’s stage play “Sexual Perversity in Chicago” – on

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