“Phil Spector” (2013), the last film from writer-director David Mamet before what has become the longest filmmaking hiatus of his career, manages to be a
William H. Macy gives the most daring and possibly best performance of his career in “Edmond” (2005), David Mamet’s adaptation of his own play, directed
Writer David Mamet – with Barry Levinson directing – switches his focus from the small cons of “House of Games” and the like to the
I wouldn’t mind looking at a series of still photos from “The Untouchables” (1987) or listening to the genre-hopping score by Ennio Morricone. But when
With his directorial follow-up to his noteworthy debut “House of Games,” David Mamet takes a step back with “Things Change” (1988). It does have twists
“Glengarry Glen Ross” (1992) has an absurdly stacked roster of talent – all men, because only men work at this particular real-estate office, which I
“Spartan” (2004) lacks the usual crisp screenplay of David Mamet, who also directs, but its lack of laser-focus might be part of the point here.
“Heist” (2001) had the misfortune of being a crime film – and one with an airplane heist in its plot — coming out in the
With “State and Main” (2000), writer-director David Mamet delivers a satirical look at the making of a Hollywood movie, but it’s so lighthearted that it’s
There’s something suspicious about the way people are acting around Joe Ross (Campbell Scott) in “The Spanish Prisoner” (1997). As the creator of The Process,