Writer-director M. Night Shyamalan had made two films before, but “The Sixth Sense” (1999) is where he became M. Night Shyamalan – a name associated
“Fear Street Part Three: 1666” goes back to Colonial New England to wrap up Netflix’s three-week trilogy. If “Part One: 1994” was like “Scream” and
In the early Aughts, “young people lost in the backwoods” scare flicks enjoyed a resurgence with “Jeepers Creepers” and “Wrong Turn,” both of which became
“Fear Street Part Two: 1978” (Netflix) boasts slick but evocative production design as it takes its three-part story back in time without adding much to
Following a dread-inducing classic and a campy comedy, “Leatherface: Texas Chainsaw Massacre III” (1990) is the first time the franchise uses a basic slasher style.
“Fear Street Part One: 1994” (Netflix), the first of a trilogy that continues over the next two Fridays, is a slick corporate product based on
“Evil Dead” (2013) is the fourth entry in the “Evil Dead” series (following Sam Raimi’s trilogy from 1981-92), but like many 21st century sequels, it’s
“Hellraiser III: Hell on Earth” (1992) breathes more than the first two films. Rather than the claustrophobia of a single house (“Hellraiser”) or an unrelatable
All I remembered from my 1998 viewing of “Deep Rising” was Famke Janssen in a sexy red dress; Anthony Heald explaining that the tentacled sea
When I saw “The Ring” (2002) in theaters, people openly gasped at the moment when Samara (Daveigh Chase) crawls through the TV screen. That’d be