IMDb Top 250 Movies

‘The Third Man’ (1949) doesn’t even need a third man to be great

Any dive into the great film noirs has to include “The Third Man” (1949), often ranked among the best British productions of all time. Interestingly,

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‘North by Northwest’ (1959) an early action classic with humor

Almost without exception, at the end of watching every movie in my “On a Hitchcock Kick” series I’ve thought, “Ah, I can see why critics

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‘Vertigo’ (1958) a surreal, maybe unreal, masterpiece

“Vertigo” (1958) is the second-best film of all time according to Sight & Sound’s 2022 worldwide poll of critics and directors, beaten out only by

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‘Rear Window’s’ (1954) views on privacy, spying remain relevant

A lot of single-apartment movies from the early decades of film feature a rear-projection backdrop out the window (1948’s “Rope”) or are shot from the

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‘Dial M for Murder’ (1954) … or for masterpiece

“Dial M for Murder” (1954) goes through phases of whodunit, “how are they gonna do it,” “how will the frame job work” and howcatchem. The

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‘Oppenheimer’ is an epic, but not quite the bomb

“Oppenheimer” is the most important piece of cinematic homework of 2023, something that would be invaluable to civics classes learning about the back rooms of

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‘Top Gun: Maverick’ cruises along with spectacle, nostalgia

Much has been made about how “Halloween Ends” might be a good movie but it’s not a good “Halloween” movie. No such danger with another

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Reeves’ grounded, hardboiled ‘The Batman’ flies high

Hollywood trends can be measured in “Batman” pictures, and the current social-media driven zeitgeist finds filmmakers actually listening to filmgoers. In the 1960s, camp was

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Kubrick’s ‘Shining’ (1980) both simple and complex

“The Shining” (1980) is in a class of movies with “2001” and “Blade Runner” where they’re the most boring thing ever when you’re a kid.

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Spider-Verse tastily envelops ‘Spider-Man: No Way Home’

Awhile back, Disney and Sony were on the brink of ending their agreement of making “Spider-Man” movies together. (Sony owns the Spider-Man rights; Disney/Marvel rents

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