Movies

‘Friday the 13th’ (1980) crystalizes lakeside horror

To celebrate our 2,000th post here at Reviews from My Couch, we’re launching a new weekly series. Frightening Friday will look back at some classics

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‘Outbreak’ (1995) is old-fashioned but thrilling

For about three-fourths of “Outbreak” (1995), director Wolfgang Petersen masterfully crafts a slow-burn thriller that makes you reflect on how Hollywood used to make great

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‘The Rocketeer’ (1991) has a blast with 1930s nostalgia

“The Rocketeer” (1991) launched the 1990s boom of nostalgic proto-superhero films set in the time before “Superman’s” 1938 invention, and it set the bar high

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‘Annabelle Comes Home’ brings back Warrens, not scares

The “Conjuring” series is unusual among horror franchises in that its core stories come from true events – the lives of paranormal investigators Lorraine and

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‘Last Boy Scout’ (1991) has classic one-liners, can’t sustain momentum

“The Last Boy Scout” (1991) has some of the best one-liners in action-film history. I was 13 when the film came out, and I recall

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‘Jojo Rabbit’ the cutest-ever film about a Hitler-loving kid

The two most remarkable things about “Jojo Rabbit” (2019) are 1, that it’s a mainstream comedy about a kid who loves Hitler, and 2, that

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‘Total Recall’ gets a more grounded, less comedic remake in 2012

“Total Recall” (2012) came out amid a glut of sci-fi remakes, and it did not supplant the 1990 original in the public’s consciousness. Judging by

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‘All the Bright Places’ a not-too-annoying Gen-Z romance

“All the Bright Places” (February, Netflix) walks a fine line. For some young viewers, it’ll be the best movie they’ve ever seen; for cynical older

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‘Sky High’ (2005) smoothly blends superheroes, teen comedy

“Sky High” (2005) is totally formulaic, and that’s why it succeeds for most of its run time but ultimately flattens out into something safely disposable.

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‘The Nice Guys’ (2016) is Black’s masterpiece

“The Nice Guys” (2016) is an entertaining action thriller even if a viewer isn’t already a fan of director/co-writer Shane Black. Viewed through the lens

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