Movies

‘Toxic Avenger’ (1984) incredibly stupid yet endearing

In 1990, I got into “Teenage Mutant Ninja Turtles” and eventually learned that the source material was adult-aimed comic books. The same year, the “Toxic

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‘Carriers’ (2009) plays starkly in the coronavirus age

Although not as well-known and epic as the likes of “Contagion” and “Outbreak,” “Carriers” (2009) is a nice little horror-suspenser that explores a pandemic on

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Every David Mamet film, ranked (except ‘The Water Engine’)

From his first writing credit (1981’s adaptation of “The Postman Always Rings Twice”) through his most recent writer-director gig (the 2013 TV movie “Phil Spector”),

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‘Friday the 13th: Part 2’ (1981) is rushed, disposable

The first “Friday the 13th” (1980) is a trope codifier for the lake-cabin slasher flick, and by definition, trope codifiers lead to a lot of

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‘Birds of Prey’ is hard to take seriously

“Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn” plays like a throw-it-at-the-wall experiment, but an earnest one. This eighth DC Extended Universe

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‘Contagion’ (2011) looks at the process of a pandemic

Whereas “Outbreak” (1995) gets comparatively cartoonish as it wrings drama from a viral pandemic, “Contagion” (2011) – its main competition for “most famous outbreak movie”

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‘Train to Busan’ (2016) is a first-class zombie tear-jerker

The idea of zombie fiction featuring great character development and performances was old hat by the time of “Train to Busan” (2016); the Tens were

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‘12 Monkeys’ (1995) is a stylish, confusing take on time travel

The coronavirus of 2020 is pretty scary, but it’s nothing compared to what theaters scared up in 1995. In addition to “Outbreak,” that year gave

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‘Friday the 13th’ (1980) crystalizes lakeside horror

To celebrate our 2,000th post here at Reviews from My Couch, we’re launching a new weekly series. Frightening Friday will look back at some classics

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‘Outbreak’ (1995) is old-fashioned but thrilling

For about three-fourths of “Outbreak” (1995), director Wolfgang Petersen masterfully crafts a slow-burn thriller that makes you reflect on how Hollywood used to make great

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