- John Hansen
- November 30, 2017
‘Teaching Mrs. Tingle’ review
“Teaching Mrs. Tingle” – Writer-director Kevin Williamson makes the grade again, exploring the thought processes of evil teachers, the absurdities of the grading system and
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- John Hansen
- November 30, 2017
‘Idle Hands’ review
“Idle Hands” – This tale of a boy named Aaron and his demon-possessed hand is directed with energetic flair by Rodman Flender. “Idle Hands” is
- John Hansen
- November 30, 2017
‘Big Daddy’ review
“Big Daddy” – Adam Sandler’s best film to date has his character, Sonny, adopting a kid who he grows increasingly fond of. The message, as
- John Hansen
- November 30, 2017
‘American Pie’ review
“American Pie” – The summer’s funniest movie builds momentum with an endless string of hilarious scenes. Writer Adam Herz knows and respects his audience with
- John Hansen
- November 30, 2017
‘Deep Blue Sea’ reviews
John’s “Deep Blue Sea” flashback review, June 21, 2022 *** “Deep Blue Sea” – Director Renny Harlin delivers a masterpiece of gripping action, lush visuals
- John Hansen
- November 30, 2017
‘Shaft’ (2000) review
“Shaft” – This Y2K take on vigilante hero John Shaft is zippier than the 1970s version but doesn’t live up to its potential. Samuel L.
- John Hansen
- November 30, 2017
‘Road Trip’ review
“Road Trip” – This comedy combines the now-ubiquitous gross-out element with some genuine humor and likable characters. Breckin Meyer, Seann William Scott, Amy Smart, Tom
- John Hansen
- November 30, 2017
‘Hollow Man’ review
“Hollow Man” – There are two things that make an invisible man movie intriguing – the intellectual aspect and the visual aspect. Screenwriter Andrew Marlowe
- John Hansen
- November 30, 2017
‘Gone in 60 Seconds’ review
“Gone in 60 Seconds” – Typical of a Jerry Bruckheimer production, “Gone in 60 Seconds” is a larger-than-life drama with a sprawling, talented cast. The
- John Hansen
- November 30, 2017
‘Scary Movie’ reviews
John’s “Scary Movie” flashback review, Oct. 18, 2021 “Scary Movie” – True, “Scream” was itself a horror satire, but it inadvertently revived the very films