Movies

‘Teenage Mutant Ninja Turtles III’ (1993) and the multiverse that might’ve been

“Teenage Mutant Ninja Turtles III” (1993) is correctly the most maligned of the trilogy. In retrospect, the handoff from Jim Henson’s Creature Shop to All

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‘High Anxiety’ (1977) a Hitchcock celebration with some chuckles

Neither the height of parody nor the depths of a phoned-in throwaway, “High Anxiety” (1977) is likable comedy from a writer-director-star, Mel Brooks, who clearly

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‘Blood on Satan’s Claw’ (1971) washes off rather easily

“The Blood on Satan’s Claw” (1971) comes up on a lot of lists of suggestions for films in the daylight/folk horror spirit of “The VVitch,”

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‘Splash’ (1984) makes a name for itself despite being simple, silly

The wide-audience crowd-pleaser “Splash” (1984) plays today like a homework assignment for a viewer going through the catalogs of director Ron Howard (his first hit)

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‘TMNT II: The Secret of the Ooze’ (1991): Was Shredder almost Michael Myers?

It had bothered me that the Turtles seem to be at April’s apartment for months while Shredder and the Foot Clan “simultaneously” regroup in days

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‘Young Frankenstein’ (1974) among the best – and funniest – adaptations of the classic novel

I can imagine writer-star Gene Wilder and writer-director Mel Brooks watching “Frankenstein” (1931) and inserting jokes, a la the “Airplane!” (1980) writers when watching “Zero

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Every ‘Aliens/Predator’ Universe movie and series, ranked

For over 40 years, the nightmares of H.R. Giger have successfully been passed on to us via Ridley Scott, Sigourney Weaver and other filmmaking talents.

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‘The Muppet Movie’ (1979) is pure cinematic bliss

“The Muppet Movie” (1979) is a true classic: a road film, a comedy, a romance, a film with heart. It’s worth it for the cameos

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‘Predator: Badlands’ (2025) proves Disney and the Yautja can coexist

Director Dan Trachtenberg has crafted a legitimate “Predator” film that’s almost a kid-friendly Disney film as well. The joke – stated with some concern –

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‘Teenage Mutant Ninja Turtles’ (1990) and the art of great dialog

I’ve often heard great family movie screenplays complimented with “Both a child and an adult can like it,” but I don’t usually agree. One exception

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