“Late Night with the Devil” (Shudder) has a gripping, grindhouse-esque horror concept wherein the supernatural perhaps encroaches on live TV in 1977. But Aussie writer-directors
Just one year after “Rebecca,” director Alfred Hitchcock and actress Joan Fontaine made the very similarly themed “Suspicion” (1941). It’s a classic example of an
“What a Girl Wants” (2003), rightly regarded as Amanda Bynes’ best starring role, adds sprinkles to the cake of the teen rom-com genre. It’s mostly
I both thoroughly admire and hate watching films about wrongly accused people, so I entered “The Wrong Man” (1956) with some dread. But I can’t
Alfred Hitchcock loved single-location movies shot on soundstages or backlots, because he could control everything. Because they were often so good, he made us love
Amanda Bynes showed early talent for acting on skit shows “All That” and “The Amanda Show,” then did movies and a sitcom in the Aughts,
Alfred Hitchcock is the Master of Suspense, but it’s when he’s working from a masterfully plotted screenplay that his films rise to the next level.
If you want an early Alfred Hitchcock film that shows his core traits and skills in a tight 76-minute package, try “Sabotage” (1936). This film
“Crazy/Beautiful” (2001) is one of the elite entries in the subgenre of cute and rich teen girls being provocative to see what they can get
“The Man Who Knew Too Much” (1934, 1956) is a rare film remade by its own director, and it’s a pretty good one … after