Movies

Winters endures mysterious mayhem in ‘Hellraiser: Hellseeker’ (2002)

The “Hellraiser” saga is more defined by its antagonists than its protagonists, but its original Final Girl – Ashley Laurence’s Kirsty – was a fan

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Where were you in ’73? ‘American Graffiti’ marks 50 years

With “American Graffiti” (1973), George Lucas wanted to put 1962 in a time capsule, and he ended up creating a film that has stood the

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In ‘Amityville Horror’ remake (2005), bigger isn’t better

After a string of direct-to-video “Amityville” movies, I was excited about the bigger budget, high production values and name cast of “The Amityville Horror” remake

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‘Hellraiser’ saga tries noir detective story for ‘Inferno’ (2000)

The saga’s first straight-to-video entry, and fifth overall, “Hellraiser: Inferno” (2000) might appeal to casual “Hellraiser” fans more so than die-hards. In a respectable full-length

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‘Amityville Dollhouse’ (1996) mercifully wraps up the ‘curse’ spinoffs

“Amityville Dollhouse” (1996) offers a cheeky addition to the “curse” spinoff series. Following a lamp, a clock and a mirror, now we have a dollhouse

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‘Hellraiser: Bloodline’ (1996) explores Puzzle Box’s origin

“Hellraiser: Bloodline” (1996), the saga’s fourth film, might be of interest to fans because it tells the complete backstory of the Puzzle Box. Then again,

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‘Amityville: A New Generation’s’ (1993) haunted mirror gives us little to reflect on

After the relative success (I gave it three stars) of “Amityville 1992: It’s About Time,” writers Christopher DeFaria and Antonio Toro quickly crank out the

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‘Sparkling Cyanide’ (2003) shows versatility of Christie’s novel

I can imagine some Agatha Christie fans loathe the 2003 ITV adaptation of her 1945 novel “Sparkling Cyanide” and others appreciate writer Laura Lamson’s fresh

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‘The Last Key’ (2018) the best of the first four ‘Insidiouses’

Usually horror sagas get gradually worse, more phoned-in, more amateurish, as they go along. The “Insidious” films are a notable exception through the first four

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‘M3gan’ amusingly blends ‘Terminator’ with ‘Chucky’

“M3gan” (2023) is a post-postmodern techno-horror comedy that tries – and largely succeeds – at being both a serious warning to young filmgoers and a

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