“Air” (Amazon Prime) cleverly and crisply chronicles Nike’s 1984 signing of Michael Jordan to the now-legendary basketball shoe contract. It’s not a chronicle of Jordan
“Hellraiser: Revelations” (2011) is the worst “Hellraiser” movie, but among the most interesting to discuss. Because Dimension has a contract with the “Hellraiser” IP where
“Hellraiser: Hellworld” (2005) – the saga’s eighth film, third in a row from director Rick Bota and second consecutive film shot in Romania – is
“The Pope’s Exorcist” sounds like a title you’d see on a Redbox kiosk around the time of a new “Exorcist” movie (indeed, that saga’s sixth
In a time of overhyped too-minimalist horror films (“The Black Phone,” “Boogeyman”) and big-name franchises (the “Insidiouses” and “Conjurings”), “Cobweb” finds a nice middle ground.
It took until the 23rd film with “Amityville” in the title for the 1974 Defeo family murders to finally be chronicled in full. Writer-director Daniel
The “Hellraiser” saga has a strange ability to tell the same story over and over but not in precisely the same way. For “Hellraiser: Deader”
“Amityville: The Awakening” (2017) has a hook, at least when I say it out loud. The story is set in the “real world,” where the
The “Hellraiser” saga is more defined by its antagonists than its protagonists, but its original Final Girl – Ashley Laurence’s Kirsty – was a fan
With “American Graffiti” (1973), George Lucas wanted to put 1962 in a time capsule, and he ended up creating a film that has stood the