Exhibit A in the case that we live in an era overloaded with entertainment options: 2022 features two psychological horror films centering on a telephone
“Goodnight Mommy” (Amazon Prime), a probably unnecessary remake of the 2014 Austrian film, is a sparse and score-driven mood picture. The main characters are twins
Richard Donner returns as a producer and helps shepherd the original “Omen” trilogy to a stylish end in “The Final Conflict” (sometimes called “Omen III:
“Veronica Mars’ ” Ryan Hansen finds himself on the flipside of the s**t-talking game in “Who Invited Them” (Shudder), a short, sweet and watchable –
“Urban Legend,” a dumb but kinda classic film from the late Nineties slasher boom, could exist in 1998 but not five years later. Much of writer
“Bodies Bodies Bodies” isn’t a bad movie, but it’s a purposely unpleasant one. Five rich 20-something women, plus the slightly older David (Pete Davidson) and
Considering it was cranked out only two years after the original and that Richard Donner and David Seltzer don’t return, “Damien: Omen II” (1978) is
Religion is a source of comfort and light to billions, but it’s also a source of foreboding darkness for horror movies. What’s remarkable is that
Architect Evan (Keanu Reeves) is working from home late on a stormy night when he hears the titular “Knock Knock” (2015) at his door. It’s remarkable
The past is ever-present in the Fall 2022 movie season, as a remarkable number of upcoming films are historical dramas, biopics or documentaries. Just about