I wonder if “The Terminal Man,” the 1974 adaptation of Michael Cricthon’s 1972 novel, was influenced in its production design and marketing by popular SF
Just as 1974’s “Carrie” was Stephen King’s first book, director Brian De Palma’s 1976 adaptation was filmgoers’ introduction to King. Unlike with “The Shining” four
Of 2021’s four Marvel Cinematic Universe films, “Eternals” is the most intellectual but the least fun. “Black Widow,” “Shang-Chi” and “Spider-Man: No Way Home” are
I described Michael Crichton’s “A Case of Need” (1968, written under the name Jeffery Hudson) as a hardboiled medical mystery. But there’s the book version
With “Doctor Sleep” (2019), Mike Flanagan’s knack for blending horror and humanity is ever-present on screen. But his biggest accomplishment might’ve been the off-camera tiptoeing.
“The Shining” (1980) is in a class of movies with “2001” and “Blade Runner” where they’re the most boring thing ever when you’re a kid.
One of Michael Crichton’s best traits is an understated one: He captured the time in which his stories were told. In sci-fi, he generally set
A little bit “Jumanji: Welcome to the Jungle,” a little bit “The Invention of Lying,” a little bit “Groundhog Day” and a little bit PKD,
I’m a continuity nerd, so when “Spider-Man: No Way Home” folded the Sony Spider-Verse films into its multiverse, I was quicker to check out “Venom:
Awhile back, Disney and Sony were on the brink of ending their agreement of making “Spider-Man” movies together. (Sony owns the Spider-Man rights; Disney/Marvel rents