“Black Christmas” (2019) is a pleasant holiday surprise. With a rating down in the 3s on IMDb, I wondered if I should even unwrap this
“Take the Money and Run” (1969) is Woody Allen’s first traditional film as a director, since 1966’s “What’s Up, Tiger Lily?” was a “Mystery Science
James Bond remembers Vesper Lynd by visiting her grave early in “No Time to Die.” It encourages us to think about Daniel Craig’s and Eva
Writer-director Michael Crichton turns around his 1975 novel “The Great Train Robbery” for a 1978 film that reaffirms his technical competence but lacks flair. It’s
Every frame of “Last Night in Soho” (2021) looks neon-gorgeous in a way reminiscent of “Blade Runner.” When London fashion student Ellie (Thomasin McKenzie) moves
Woody Allen bounces back from perhaps his worst movie, “Shadows and Fog” (1991), with one of his best: “Husbands and Wives” (1992). He gets back
“Army of Thieves” (Netflix) might be the first movie where a zombie apocalypse happens in the background, with people barely mentioning it. That uniqueness comes
“Crooked House” (1949) is one of Agatha Christie’s best, but also coldest, novels. In that regard, the 2017 movie adaptation is thematically faithful. Set in
Most popular slasher films of the 1970s and ’80s spawned endless series, but “Black Christmas” (1974) – a formative slasher, bridging the gap with the
Michael Crichton’s previous directorial work, “Westworld” (1973), is more famous, because it’s a more original idea. But his followup, “Coma” (1978), is a more engrossing