- John Hansen
- February 7, 2021
‘Love and Monsters’ keeps apocalypse upbeat
“Love and Monsters’ ” cast and crew are filled with people who have done apocalypses before, so perhaps having gotten the doom and gloom out
“Love and Monsters’ ” cast and crew are filled with people who have done apocalypses before, so perhaps having gotten the doom and gloom out
Sometimes I watch behind-the-scenes bonus features of movies I kind of liked, then like them more when exposed to the enthusiasm of the creative team.
To mark the 40th anniversary of author Thomas Harris’ invention of Hannibal Lecter and the 30th anniversary of “The Silence of the Lambs” – the
As a kid, I knew “Annie Hall” (1977) as the movie that beat “Star Wars” for Best Picture, so I vaguely hated the movie without
John Hughes’ wholly original works tended to be better than his sequels, remakes and adaptations, and the last two films of his screenwriting career sharply
“The Little Things” (January, HBO Max) might be the first film to benefit from the two-month qualifying extension for the Oscars – unless it’s too
As its title suggests, “Necessary Evil: Super-Villains of DC Comics” (2013) only chronicles DC villains, but that’s not a problem since “Batman” is widely acknowledged
Admittedly, I don’t watch a ton of movies with a baby in the lead role, but I gotta assume “Baby’s Day Out” (1994) – despite
When committing to do a series reviewing every entry in a writer’s catalog, I know there are gonna be some duds to slog through, and
Writer-director Miranda July’s “Kajillionaire” (2020) exists a half-step away from reality, always unapologetically weird but at the same time heartrendingly true. It’s a more delicate