All Posts

Keaton’s ‘Mr. Mom’ (1983) is a soapy domestic sitcom

When Michael Keaton was cast as Batman later in the Eighties, it was a popular joke that they cast Mr. Mom as the Dark Knight.

READ MORE

‘Screamers: The Hunting’ (2009) a redundant trek

With the sequel “Screamers: The Hunting” (2009), we get further away from the Philip K. Dick source material adapted into 1995’s “Screamers”: the 1953 short

READ MORE

‘Thunderhead’ (1999) shows thrills, scares of the West

Archaeologist Nora Kelly enters the pantheon of Douglas Preston and Lincoln Child’s heroes in “Thunderhead” (1999), an early and still great example of their Southwestern

READ MORE

‘The Crow: Salvation’ (2000) serves up more Goth ennui

“The Crow: Salvation” (2000) is the third straight “Crow” film where I see objective filmmaking and storytelling problems, yet I still kind of like it.

READ MORE

‘Turning’ is a flatter James adaptation than ‘Bly Manor’

For a novella published in 1898, Henry James’ “The Turn of the Screw” is having a boffo 2020. The Netflix miniseries “The Haunting of Bly

READ MORE

‘Exorcist II: The Heretic’ (1977) dully checks in on Regan

It’s an excellent month for an exorcism. From Oct. 21-31, I’m looking back at the five films of “The Exorcist” series as we celebrate Spooky

READ MORE

‘Heathers’ (1989) is ‘so very’ hard to watch

“Heathers” (1989) is one of the most oft-referenced titles in teen-movie scholarship, and the film itself regularly gets referenced in other works. Namely, the term

READ MORE

‘The Exorcist’ (1973) sets high bar for exorcism films

It’s an excellent month for an exorcism. From Oct. 21-31, I’m looking back at the five films of “The Exorcist” series as we celebrate Spooky

READ MORE

Hughes’ ‘Curly Sue’ (1991) is a lovable, if strange, fable

After his four high school films as a director, John Hughes moved on to four family friendly films – the last of which is the

READ MORE

‘Haunting of Bly Manor’ a beautiful, flawed meditation on love

With “The Haunting of Bly Manor” (Netflix) – his spiritual (pun intended) sequel to 2018’s “The Haunting of Hill House” — Mike Flanagan continues to

READ MORE