“Lethal Weapon” (1987) introduced the masses to writer Shane Black (and his penchant for setting his films at Christmastime) and gave director Richard Donner a
“Rambo: Last Blood” is an efficient, brutal, gritty and appropriate capper (if it is indeed the capper) to Sylvester Stallone’s five-film series. It poetically marks
It’s hard to predict a decade’s place in history while you’re living it, but the 2010s strike me as a Gateway to the Future. So
Even by Philip K. Dick standards, “The Zap Gun” (1967) is particularly prophetic of the 21st century, but it’s also one of the harder novels
There were many ways “Good Boys” could go wrong, from over-reliance on the shock value of tweens dropping F-bombs, to kids who can’t act, to
In “Dreamwalk” (January 2003), the sixth book of the “Roswell” tie-in series, Paul Ruditis bridges Kyle’s trauma over the death of Alex at the end
“Kick-Ass” (2010) has the game pieces in place but loses the game. It’s colorful, for sure, with the green scuba-suited titular teen, the purple-haired 11-year-old
“Halloween” (1978) is often cited as the first modern slasher movie, but it didn’t emerge out of nowhere, with no influences. One of its most
Season 3 of “The Marvelous Mrs. Maisel” (Amazon Prime) starts off in the too show-offy fashion that marks the worst excesses of writer-director Amy Sherman-Palladino.
Quentin Tarantino low-key makes fun of 1969-era movie- and TV-making in “Once Upon a Time … in Hollywood.” But the production design by Barbara Ling