When TV scholars look back years from now at trends in storytelling structure, I suspect “Unbelievable” (Netflix) will be seen as a pivotal show. The
“Evil” (Thursdays, CBS) can be added to the grand collection of post-“X-Files” shows, so I have a soft spot for it. But this is an
The 2010s are the decade when the word “canceled” became softened and pretty much any old fondly remembered thing could be brought back (for better
The pilot episode of “Emergence” (Tuesdays, ABC) is a crisply crafted hour of TV that would set the stage for an excellent series in an
In the next movie, I’d like to see Godzilla and his nemeses fight in conditions other than driving rainstorms, but even though there isn’t a
“Prodigal Son” (Mondays, Fox) does a lot of things right, but they are the same things a lot of other shows have done right. This
Writer-director Richard Linklater lovingly adapts “A Scanner Darkly” – Philip K. Dick’s 1977 classic about drug use and the drug war set amid a future
After the solid “Hellboy” (2004) laid the groundwork, director/co-writer Guillermo del Toro and his team get to play in their sandbox in “Hellboy II: The
“American Horror Story: 1984” (Wednesdays, FX) is an unapologetic, unfettered case of giving people what they want: A straight-up slasher series in the mode of
With “Rambo: Last Blood” – Sylvester Stallone’s supposedly last (haha) go-around with the famous Vietnam veteran — hitting theaters this week, I’m taking a look