As he did with his only other “Buffy” novel, “Coyote Moon” (1998), John Vornholt gives a different – and not precisely right, but still intriguing
Burning slowly like a 1970s urban street thriller, “Luke Cage” feels more comfortable in its suits and shades and bullet-riddled sweatshirts than it did in
“Dark City” (1998) perhaps came out just before the window when it would’ve been a mainstream smash, since “The Matrix” achieved that status one year
A priest, a singer and a vacuum salesman walk into a hotel … What sounds like the beginning of a good joke is the basis
Starting with three transitional issues (36-38) where they share plotting and scripting duties with Bill Willingham, the duo of David Tischman and Mariah Huehner takes
With “Gotham” returning for its final season this month, I’m looking back at past “Batman” projects from the perspective of someone who enjoyed “The Animated
With “Buffy” and “Angel” on different networks, massive crossovers weren’t in the works on TV, but “Monster Island” (March 2003), by Christopher Golden and Thomas
“Gotham” (8 p.m. Eastern Thursdays on Fox) starts its fifth and final season in bats**t-crazy fashion (pun intended). In a way, that’s par for the course
“Her” (2013) might be the pinnacle of the 2010s zeitgeist, a movie that chronicles humans’ steadily changing relationship with technology. But it doesn’t come off
“Aquaman” (2018) is an artistic feast, with its underwater city of Atlantis, its bevy of sea creatures and the way the ocean peoples’ hair flows